Who was the architect?

The architect of St. Mary’s, Lochee was Mr. Joseph Hansom of London. He was known for his architectural designs during the Gothic revival in Great Britain. ​

Mr. Hansom was also famous for designing the iconic Hansom cab. ​ His work on St. Mary’s showcased a blend of Norman and Early English styles, creating a magnificent and ornate structure that stands as a testament to his skill and contribution to architectural heritage.

  • St. Mary’s, Lochee is a magnificent building with a mix of Norman and Early English architectural styles. ​
  • The church features a tower, side aisles with recessed weatherings, and walls made of blue stone with white sandstone dressings. ​
  • Architectural elements include lancet windows, a sanctuary in an octagonal-shaped apse, and a chancel with ornate details. ​
  • The church has various sections like a side chapel, sacristy, organ gallery, baptistery, and door porch. ​
  • It was designed to accommodate 700-800 people and constructed with a variety of materials like Welsh slates and terra cotta firebricks.
  • The interior boasts stained glass windows, ornamental arches, and richly carved bosses.

The opening of the church

Dundee Advertiser – Monday 14 May 1866

We have now to state that St Mary’s of the Immaculate Conception, the new Roman Catholic Church in Lochee, will probably rank: among the finest of of its kind in this neighbourhood, as both from the peculuarity of its architectural beauties and, of finish, it is much superior to any of the Roman Catholic Churches in this part of the country.

The opening was celebrated by: the service known as Pontifical High Mass, which began about half past eleven o’clock, The Right Rev. Dr Strain, V.A. of the eastern district of Scotland, officiated. The Bishop was assisted by the Rev. Mr Brick at Deacon, and the Rev. Mr Byrne as Sub-Deacon; and the Rev. Mr M‘Dermott Master of Ceremonies.

The; musical part of the service was under the charge of Herr Arnold, together with Father Magini, a clergyman attached to St Mary’s, Maxwelltown, who were ably assisted by Mr Lewie of the and several vocalists from Dundee and Edinburgh. There is no organ yet in the gallery, but Herr Arnold presided with his usual ability at a very excellent harmonium, together with a band of instrumentalists, opened the service with an effective Te Deum. 

They commenced with Weber’s Mass in G – one of the most effective Masses ever written, characterised by shortness and uniform beauty of design. The Kyrie and Gloria were sung with precision and beauty which reflected great credit on the performers. The Credo was rendered, as well as the previous pieces, with great spirit and executive correctness. A slight change was made here and an Ave Maria Mozart, in E flat Major, was introduced. The solo parts were taken up by Miss Harvey parts and Father Magini. Both soloists rendered by their parts to perfection, and gave them that very power of feeling and sentiment intended by the composer. 

The Sanctus was then given, and a beautiful interludium followed on the harmonium, by Herr Arnold, which, at this solemn part of the service had a very fine effect. 

The Benedictus, in our opinion, the gem of the whole Mass was interpreted in such a way as to give satisfaction to the most fastidious. The Agnus Dei and Dona Nobis finished the music of the Mass, where the soloists displayed great ability and precision in the rendering of the solos and the adjoining chorus. 

Then followed Haec Dies by band and chorus, in conclusion, in very fine style, and altogether the music on this occasion was of a very high order.

There was a service in the church in the morning conducted by the priest in charge, the Rev. Mr Mc Kerrell, at which a considerable number of persons were present. The principal service of the day, however, was that of the forenoon, and before eleven the congregation had begun to assemble. As usual in such cases, the admission was by ticket and when Mass began the nave was well filled, while the west side aisle was also occupied to some extent, Notwithstanding that the workmen were busily engaged on Saturday afternoon within he building, on entering the church yesterday the visitor could not fail to be struck by the extreme neatness and order visible throughout.

As we shall presently have occasion to describe St Mary’s in detail, we need only mention here that the building is cathedral in form, consisting of nave, side aisles, and clerestory, with a lot and elegant sanctuary. Careful preparation had been made for the service, and the appearance of the interior of the building was not spoiled by any tokens of unfinished work. The altar was handsomely decorated with vases pf flowers; upon it stood a number of tall tapers; behind it towered a statue of the Blessed Virgin.

The peculiarities of the service need not be described, but it may be mentioned that, after the reading of the First Gospel, the Rev. Father Noble preached a sermon suitable to the occasion, in which he explained that the building was under the patronage of the Virgin, and entered into some reason why his hearers should venerate her. At the conclusion, the preacher announced the Episcopal Blessing, which was given by Bishop Strain standing with mitre and crozier from before his seat, and the services terminated about two o’clock. In the evening, Vespers were said; after a sermon was delivered by Father Magini; and there was also the Benediction of the Sacrament.

The church thus opened is in some respects a novelty in ecclesiastical architecture. So far as we are away, it is the first in Scotland where the material of terra cotta has been used as at the stonework of the interior. The effect of this new style of building is not, at first perhaps very pleasing. It is certainly not, and never can have, the dignity of pure stone. At the same time, the style of the building – a mixture of Norman with early English – the pilfered aisles and vista of arches, topped a a rather low, but well executed celestrory, the pretty sharply pitched roof, and the fine high spanning arch above the sanctuary, all combine to lend a dignity to the church with which the strangeness of the terra cotta coloured work does not interfere. Those have not seen St Mary’s – and it is well worth a visit – will probably be surprised when it is stated that, although internally built of white and red fire brick, the effect on the mind after the first impression is decidedly pleasing.

Great praise is due to the architects, Messrs J.A. Hansom & Sons, of London, for the admirable manner in which the church is planned, for the skill whereby such fine effect has been produced by what some would denominate as the poorest material.

The manner in which the coloured stonework of the pillars is made to harmonise with the variegated terra cotta, and the clean appearance which the building has totally devoid of plaster, is remarkable.

Not less to be observed is the fact that, while the interior of the church is this built, the exterior is comprised of what is known as walling, from the neighbouring quarry of Carmyllie, with Fife stone for the cornice and dressings. The outside is this one material – the interior of another; and as already said, the way in which this is managed in such as to reflect great credit upon the architects, for while St Mary’s will henceforth be among the best ecclesiastical sights of the district, it undoubtably is a great ornament to Lochee.

To describe it more particularly, as we have stated, the church is a cathedral in miniature. St Mary’s, with the presbytery attached, is situated a little back from the High Street, and lies clearly north and south. It consists of nave, side ailes, clerestory, east and west transepts, and sanctuary. 

There is also a chapel in one of the aisles called the Chapel of the Holy Family. The chancel and east and west transepts are towards the south while the tower, porch and baptistry are at the north end of the building.

Th style of architecture is Norman and Early English, and the church, seen from the street, has a very massive and fine appearance. The side aisles are deeply recessed weatherings under the windows, with buttresses springing up and finishing with ornamental finials. buttresses. 

The clerestory has projecting buttresses projecting out above the side aisles, also finishing with ornamental finials. The windows of the aisles have rich cut tracery, and those of the celestory are double lighted, with quatre-foil heads, and are fine looking and very lofty indeed, being each – there are four, 13 feet to the spring of the head tracery, and from the spring to the top of the windows is a distance of 6 feet.